Wednesday, November 25, 2009

"Giving Thanks": Year 2 in Review

To my dear reader,

Yes, “Year 2 in Review” is three months late, I meant to write it back in August as planned, but I was busy (which is a good thing). I figured better late than never, and what better week to acknowledge all I have to be thankful for? You may have heard me say that statistically most actors quit within the first two years of moving to New York, well it has now been 2 years and three months, and “good times, bum times, I’ve seen ‘em all and my dear, I’m still here!”

Here’s is my 2008/2009 recap:

Last October, I had the extreme pleasure of studying with Sheri Sanders, whom I had met the previous summer at Making it on Broadway, this time joining her Rock the Audition class. With her help, I uncovered some fears I had as a singer and through Sheri I got in contact with Tom Burke, hands down the MOST amazing voice teacher I have ever had! He has transformed my voice in one year and I can’t wait to go back to Sheri’s class now that I can belt like Tina Turner!

In November, I moved on the study with Sheri’s music theatre teacher and mentor Kimberly Vaughn at Actors Connection. Then took “Monologue Perfection” with the fabulous Paul Fouquet from Elissa Myers Casting. Paul’s class changed my outlook as a performer to include more than just musicals. Paul got to know me strictly as an actor, but when he found out I also sing, he said with how good I am as actor, when they find out I can sing too, I will be unstoppable! Don’t get me wrong I still love music theatre, but I have settled into the idea that I am maybe not the “jazz hands” musical theatre type and I find I am more excited to delve into new works, musicals and otherwise. Paul’s class gave me the confidence to be first and foremost an actor who also sings. I also brushed up my film acting technique this past spring at Weist Barron with Chris Lutkin. And I am pleased to announce I will soon be featured in a short film directed by Chris Baldyga at the Art Institute of New York. I also “may” be making my big screen debut as an extra in “Step Up 3” due out this coming August. Well, that is if you can actually see me…

Of course, music will always hold a big place in my heart. Now though, I am closer to finding my niche. I performed with Seth Bisen-Hersh at Don’t Tell Mama three times this past year, and last week, I made my debut at the Algonquin Cabaret. Last June, I was thrilled to be called back for “Kate Monster” in the National Tour of Avenue Q, and I cannot wait to give the audition another try this coming year and see what happens… keep your fingers crossed for me.

May was when things really started picking up. I was cast in my first off-off Broadway play, Happy Hour, based on Joelle Arqueros's compilation of monologues titled Sex, Relationships...and Sometimes Love, directed by off-off Broadway champion Michael Horn at the Michael Chekhov Theatre Company. In a way, Happy Hour is a right of passage for New York actors, and I am very proud of the work. Happy Hour forced me to work outside my comfort zone (my monologue was titled “Plunger”…). I was also paid a wonderful compliment while sitting outside the theatre after a performance, when I overheard an audience member cite me as being their favorite part of the show, saying I was “very Saturday Night Live.”

A few weeks into rehearsals for Happy Hour, I was approached by Roger Hendricks Simon* to join the Simon Studio. With the Simon Studio, I was honored to work with many well respected theatre artists and joined them in performance in June with the Cinema and Theatre Festival where I performed the role of “Prudence” in Beyond Therapy by Christopher Durang. I joined them again in August, playing “Kate” from Taming of the Shrew in the annual “Bard at the Bar.” *Watch for Roger as AIG Insurance Magnate, Bernie Jacobs in “Wall Street 2: Money Never Sleeps”, currently in production.

Then came the whirlwind of September and October when I got to play the part of romance novelist, and lost soul, “Fuchsia deMornay” in Poodle With Guitar and Dark Glasses by Liz Duffy Adams, directed by Stefanie Horowitz. (My part had nothing to do with a poodle, a guitar or dark glasses). I am SO proud to have been involved with “Poodle” and to have worked with other talented, “up and coming” theatre artists, whom I now consider my friends.

As for now, I am winding down for the end of 2009, and making preparations for a prosperous new year. Still working the ultimate day job as a food tour guide in Greenwich Village for Foods of New York, and recently I have picked up some shifts serving at Little Havana, the Cuban restaurant that we feature on the tour. So, good news, I am making some extra money, which means new audition clothes, headshots, classes, and stocks (that’s something else I have taken advantage of in this interesting financial year). I also volunteer now as a host at Actors Connection in exchange for my own opportunities to audition for casting directors and agents, in hopes of having SO MUCH MORE.

I have expanded my presence on the world-wide-web. I have a blog that I have recently updated on Blog-Spot called "Top of the Heap" http://topoftheheap-nyc.blogspot.com/. I document my daily theatre experiences on Twitter http://twitter.com/hdrefvem. And I reach out to my "audience" with my myspace page http://www.myspace.com/hdrefvem, and a facebook fan page http://www.facebook.com/pages/Heather-Refvem/89391758143, while I work on completing http://www.heatherrefvem.com (which I am very excited about!).

So, that is what I have to report right now. I hope you enjoyed my recap. Have a Happy Thanksgiving, a wonderful holiday season, and a 2010 full of love, happiness, and success!

Love, Heather

Wednesday, November 18, 2009

Karen Kohlhaas Workshop at Theatre Resources Unlimited (11/17/09)

I attended an outstanding workshop last night with Karen Kohlhaas (http://www.monologueaudition.com/) through Theatre Resources Unlimited (http://www.truonline.org/). I've always heard great things about Karen, and after getting the honor of being selected to work with her last night, I know now why she is so great. Here are some of my notes:

Study the door
at an audition so you can plan your entrance. What is the least amount of effort will you have to use to close it? Will it close on it's own? Are there steps coming in? You want to enter with ease.

Choose each step in and out of the room. They are the steps you take to reach your dream, coming in and going out.

You are the dance partner in an audition, you follow the casting director by being there, ready and giving out positive energy.

THE GREETING:
  • Be you, not the character.
  • Have an intention to share something that comes from the best part of you in the moment (does not have to be positive).
  • Answer ideas to: "How are you?" "I'm great, just finished a show that I am really proud of/ just got back from a great vacation."
  • Answer ideas to: "Tell me about yourself." Anything, non theatre related, that you can tell them to give them a vivid image of you. Example: "I spend my weekends working at an animal shelter."
Don't try to show too much in your audition piece. All it needs to show is you changing from one thing to another.

COLD READING:
  • Connect to the person and to the material.
  • Face your scene partner and be far enough back that you can take them in 100%, cheat out with your heart.
  • Be out of the script on their line, look down to read your line off the page, taking as much as you can to other person, but DO NOT memorize your line.
  • Be ready for the words that help you make changes. Take everything at face value, if your character says "I'm sorry" then you go with that intention.
  • Always hold the script even if you have memorized it.
Know what you are auditioning for; the director, theatre, style. Don't do a dark piece for a theatre who's mission is positive messages.

"Don't Be a Stranger" by Secret Agent Man (Backstage, 11/12/09)

"If you want to have a successful relationship with your new agents, you have to give them a chance to get to know you as a person, not just as an actor"

"Invite each of your agents to lunch, one at a time, so you get some valuable face time with everyone... Ask as many questions as you answer. Get to know each other as people"

"You can also find excuses to drop by the office every now and then, so you can see your agents in person... tell me how great his audition for 'Grey's Anatomy' went... showed me his gratitude for the opportunity, and that made me feel good as a person."