Friday, October 30, 2009

Notes on singing:

Sing with the sound of 4, but the energy of 10.

ACTING ANALYSIS: Find the hope in every song. Think of a ballad as an uptempo and and uptempo as a ballad. Find what is not nice about ballads. What is at risk? Show you are strong enough to be still with ballads.

MUSIC ANALYSIS: The three most important notes in a phrase are the first note, the high note, and the last note. "Paint rainbows" with the phrase.

LYRIC ANALYSIS: Watch punctuation and capitol letters. Lyricists put capitol letters in the middle of sentences to encourage you to take a breath. "But" is the turning point of a song. With a pronoun, you have to match the verb's emphasis.

In an audition, your first song should show your personality. Save your legit song, it is meant to show you have musicality.

"16 bars" actually means 30 to 45 seconds.

Know the ranges and keys of your songs. Get two keys so you can decide where it fits best with you. Make it yours. You should be able to sing everything in your book on any day. Song selections are usually simpler than the score.

1 comment:

Heather said...

"'In the morning, I always have them start from the top of the voice and work down, never from the bottom up,' he says. 'That way the muscles become corrected immediately without grabbing weight" (Ron Anderson, "Touring Tune-Up" by John Henny, Backstage, 10/29/09).